Thursday, March 7, 2019
Sunday, February 3, 2019
Swiper
1-Profiles on Tinder
2-Notification
3-Questions from OKCupid
4-Your Song
(Mastering by Brady Custis
all other stuff by Mike Sim)
Sunday, December 16, 2018
TOP 10 ALBUMS 2018
This year I spent more time and energy making new music than I did listening to music, so I felt like I could only confidently say what I think the best 10 albums are of 2018 (rather than the top 50 like I have in previous years). But I made a list of around 100 other records that I really dug this year on here as well.
"Music Is" is Bill Frisell's 2nd solo guitar record and it's been 18 years since his first. The music on this record is even more spare than is typical for Frisell - sometimes being completely naked and alone & while other times more orchestrated through layers of overdubbing. It’s a collection of some new tunes as well as other reimagined older repertoire. In my opinion this is the most beautiful album Frisell has put out.
Michael Gordon is one of the three co-founders of Bang on a Can - his music is extremely rhythmic & raw as fuck. “Clouded Yellow” is a collection of his works that he recorded with the Kronos Quartet. As the title suggests - the music on this collection blurs & distorts in different ways. Similar to some of his other works, he plays with the way chamber music can be warped through electronics: such as on “Potassium” in which the Kronos quartet use fuzz box guitar pedals. Layers often tangle into a web of disorienting rhythmic patters & emotive waves of sound.
“Some Rap Songs” is Earl’s best album so far & one of the best things that has come out of Odd Future. It is for hip-hop what Frank Ocean's "Blond(e)" was for R&B. Earl took on most of the production (under the moniker RandomBlackDude) and the beats are pretty spaced out - sort of on a similar wave length as the instrumentals by Shabazz Palaces (which Earl references in the opening track) - but a bit more disjointed and drawing more directly from jazz & soul music. They are complex, but often extremely beautiful (especially the instrumental closing track “Riot!”). Lyrically this album is his darkest & most personal. There isn’t any rap album that has ever been made before that sounds like “Some Rap Songs”.
“You Won’t Get What You Want” is Providence noise rock band Daughters first record in nearly a decade (their last being their self titled album which was previously thought to be their swan-song). The tunes on here are far longer (the album time running more than twice as long as their last), darker, and explore far stranger & more atmospheric sonic territory. It’s visceral, disturbing, and at times almost nightmaresque / maddening - there are moments that truly sound deranged. There is a real sense of danger - like everything could fall apart at any moment. The closer on here is the highlight and is absolutely terrifying. Daughters return with what is their best album and one of the best noise rock albums I’ve ever heard.
“Everything That Rises” is John Luther’s 4th’s string quartet (performed by the JACK Quartet) - it uses just-intonation and is a series of ascending musical clouds - with it’s pitches being derived from the harmonics of the subsonic fundamental tone (C). The intervals grow smaller as it spirals up until it dissolves into the ether and as the music progresses it becomes more and more fragile / brittle sounding. John Luther Adams is one of the greatest living composers & this piece is one of his most beautiful & holy works.
Much love,
<3
Mike Sim
10 - Tierra Whack - Whack World
Tierra Whack’s “Whack World” is the best visual album of 2018. With it's 15 “songs” being crammed in the 15 minutes, it feels more like a collage - where ideas are fractured and strangely juxtaposed. There’s a lot of humor - often feeling more like a parody of current popular hip-hop and R&B, and is filled with surrealism (at times visually resembling something off of Adult Swim). Tierra Whack’s debut is a absurdly imaginative album and I’m stoked to see where she goes from here.
9 - Bill Frisell - Music Is
"Music Is" is Bill Frisell's 2nd solo guitar record and it's been 18 years since his first. The music on this record is even more spare than is typical for Frisell - sometimes being completely naked and alone & while other times more orchestrated through layers of overdubbing. It’s a collection of some new tunes as well as other reimagined older repertoire. In my opinion this is the most beautiful album Frisell has put out.
8-Michael Gordon - Clouded Yellow
Michael Gordon is one of the three co-founders of Bang on a Can - his music is extremely rhythmic & raw as fuck. “Clouded Yellow” is a collection of his works that he recorded with the Kronos Quartet. As the title suggests - the music on this collection blurs & distorts in different ways. Similar to some of his other works, he plays with the way chamber music can be warped through electronics: such as on “Potassium” in which the Kronos quartet use fuzz box guitar pedals. Layers often tangle into a web of disorienting rhythmic patters & emotive waves of sound.
7-Earl Sweatshirt - Some Rap Songs
“Some Rap Songs” is Earl’s best album so far & one of the best things that has come out of Odd Future. It is for hip-hop what Frank Ocean's "Blond(e)" was for R&B. Earl took on most of the production (under the moniker RandomBlackDude) and the beats are pretty spaced out - sort of on a similar wave length as the instrumentals by Shabazz Palaces (which Earl references in the opening track) - but a bit more disjointed and drawing more directly from jazz & soul music. They are complex, but often extremely beautiful (especially the instrumental closing track “Riot!”). Lyrically this album is his darkest & most personal. There isn’t any rap album that has ever been made before that sounds like “Some Rap Songs”.
6-Daughters - You Won't Get What You Want
“You Won’t Get What You Want” is Providence noise rock band Daughters first record in nearly a decade (their last being their self titled album which was previously thought to be their swan-song). The tunes on here are far longer (the album time running more than twice as long as their last), darker, and explore far stranger & more atmospheric sonic territory. It’s visceral, disturbing, and at times almost nightmaresque / maddening - there are moments that truly sound deranged. There is a real sense of danger - like everything could fall apart at any moment. The closer on here is the highlight and is absolutely terrifying. Daughters return with what is their best album and one of the best noise rock albums I’ve ever heard.
5-John Luther Adams - Everything That Rises
“Everything That Rises” is John Luther’s 4th’s string quartet (performed by the JACK Quartet) - it uses just-intonation and is a series of ascending musical clouds - with it’s pitches being derived from the harmonics of the subsonic fundamental tone (C). The intervals grow smaller as it spirals up until it dissolves into the ether and as the music progresses it becomes more and more fragile / brittle sounding. John Luther Adams is one of the greatest living composers & this piece is one of his most beautiful & holy works.
4-Steve Coleman - Live at the Village Vanguard, Volume 1
This is Steve Coleman's first live release in 15 years - and the primal vibes of the music that Coleman creates are better captured in a live setting. The last couple releases of his have been perfect highly orchestrated records - where on this record some pieces were composed live on that stage earlier that week in their residency at the Vanguard. & even the older Coleman tunes are done in a very new in the moment way - bringing them into different places. This is Coleman & M-Base music at it's best.
3-Death Grips - Year of the Snitch
Death Grips are an experimental hip-hop group out of CA - with each release the group continues to evolve and defy expectations. On their sixth record here they push further into psychedelic experimental territory - sometimes on almost a Zappaesque level (which is occasionally somewhat reminiscent of Zach Hill's previous solo work). While not as consistently heavy and dark as some of their previous work - it's much more absurdist and abstract. Lyrically it's equally trippy & extremely meta. Even as chaotic as this album is, it still grooves & the hooks are earworms. Nearly a decade into their career, Death Grips are still the most interesting thing happening in hip hop today.
2-Nik Bärtsch's Ronin - Awase
Nik Bärtsch, Swiss pianist & composer, has classified his music as ritual groove music. While initially his music was more like zen-funk - it is now almost drifting into more minimalist-classical territory. With a more stripped down line up, now consisting of only a quartet - the music on this record is sublimely meditative - with hypnotic grooves that play with your head and continuously trip your sense of time. This is his strongest release to date and I highly recommend it to anyone who's interested in hearing music that is in a cross-section between jazz and modern-classical music.
1-Idles - Joy as an Act of Resistance
Idles are a British band whose debut, "Brutalism" came out last year - and the sound of that record lived up to it’s title. They are sort of in the punk vein - their music is raw, heavy, but also sheds a lot humor and light. Their sophomore album is more varied than their debut & a far superior album. The politics on the album are clearer and more upfront & lyrically the album also goes into topics such as toxic masculinity, immigration, love, sexuality (with Talbot being very open about his bisexuality), as well as the death of his daughter who was a still born (in the emotional, cathartic centerpiece of the album “June” ). Despite the heavier subject matter, there is a open lightheartedness and a truly joyful nature throughout most the record - with the hooks often being mantraesque, spelling things out (like a cheer of sorts), and chanting. In the words of John Talbot, singer-songwriter of Idles, "This album is an attempt to be vulnerable to our audience and to encourage vulnerability; a brave naked smile in this shitty new world."
Other Records I Dug from 2018
Electronic:
-Aphex Twin - Collapse EP
(The Collapse EP is the best Aphex Twin release since his return from hiatus. In some ways it's a return to an earlier/classic Aphex Twin sound - but in other ways it feels like a journey new territory.)
Autechre - NTS Sessions (This should probably be in the top 10 - but I have not fully digested this 8 hours album yet. The nearly one hour long closing track on here is one of the most gorgeous things they have ever composed)
Skee mask (techno / dub / breakbeats / ambient - sort of reminiscent of early 90s IDM at times)
Against All Logic - 2012-2017 (Nicolas Jaar making more fun-oriented & accessible house music)
Yves Tumor - Safe in the Hands of Love
Helena Hauff - Hyper-Intelligent Genetically Enriched Cyborg (noisey techno)
Rabit - Toe in the Bardo Pond
Rabit - Toe in the Bardo Pond
Demdike Stare - passion (haunted dancehall vibes)
Jon Hopkins - Singularity
Jlin - Autobiography
SOPHIE - OIL OF EVERY PEARL'S UN-INSIDES
Oneohtrix Point Never - Age Of
Eartheater - Irisiri
Mr. Fingers - Cerebral Hemispheres (jazzy house vibes)
DJ Koze - Knock Knock
Isabella - Whistle
Lotic - Power
iglooghost - Steel Mogu & Clear Tamei
Laurel Halo - Raw Silk Uncut Wood
Pariah - Here From Where We Are
Mouse on Mars - Dimensional People
Foodman - Aru Otoko No Densetsu
Folk / Singer-Songwriter
Snail Mail - Lush (one of the best new singer-songerwriters in indie-rock)John Prine - Tree of Forgiveness
(the closer on here is one of my favorite tracks of the year)
Adrian Lenker - Abysskiss
boygenius - boygenius EP
Jeff Tweedy - WARM
Sam Moss - Neon
Laminated Animals - Fossil Rock (weirdo lo-fi comedy singer-songwriter with psychedelic orchestration, all recorded with a lap-top microphone)
Windowsill & Ashtray (Windowsill & Ashtray are avant-Comedy duo originating from Hong Kong)
Big Thief - wide winged bird (field recordings manipulated by James Krivchenia)
Soccer Mommy
Mark Kozelek - Mark Kozelek (best release of Mark's this year)
Amen Dunes - Freedom
Lucy Dacus - Historian
Mount Eerie - Now Only
Sun Kil Moon - This is My Dinner (almost feels more like a podcast with these narratives - I can’t imagine Mark getting any more stream of conscious / journelesque & meta…but that’s what I said after his last record…and this one is definitely much further in that direction)
Small Axe - Ultimate Reality
Ruby Luna - Heirloom
Rock:
Coaches - A Bright Crumb of Steel (indie rock with anthematic guitars, sludgy grooves, gorgeous shoegazey textures, emotive songwriting, & catchy hooks)Nine Inch Nails - Bad Witch (their best since the Fragile - more experimental & skeletal to the point where it almost sounds unfinished at times)
Big Eater - Unconditional Love (Bachman’s voice is beautiful, raw, and sorta whispery & his songwriting is equally beautiful, vulnerable and naked)
Yo La Tengo - There’s a Riot Going on (this is not a reimagining of the Sly & the Family stone album of the same name...more ambient and even more vibey than their usual work)
Moonface - This One’s for the Dancer & This One’s for the Dancer’s Bouquet (Moonface’s swan song is filled with minimalist patterns, plenty of marimba, a little bit of smooth sax and some of Spencer’s best lyrics yet)
Sandro Perry - In Another Life (the 24 minute title track on here is one of my favorite songs of the year)
Julia Holter - Aviary
Gurulla Toss - Twisted Crystal
Dear Nora - Skulls Example
Low - Double Negative
Ohmme - Parts
Sea & Cake - Anyday
Mitski- Be the Cowboy
Giraffes? Giraffes! - Memory Lame (fun math-rock)
METAL:
Behemoth - I Loved You at Your Darkest (Satanic black metal)Of the Sun - Time Death (ritualistic tribal earth-metal)
Sleep - The Sciences (Stoner Metal)
Sumac - Love in Shadow
DeafHeaven - Ordinary Corrupt Human Love (nowhere near as good as "Sunbather" - but it's worth it for "Glint" and some other moments on here)
Modern Classical / “Serious Music” / Experimental / Ambient:
Laurie Anderson & the Kronos Quartet - Landfall (hands down, the dreamiest album of the year)Jan Jelinek - Zwischen (sound collages which primarily uses the moments between the spoken words as source material - such as pauses for breath and hesitations in which the interviewees utter non-semantic sound particles).
James Krivchenia - No Comment (sound from soldier cams is manipulated to create an emotive, textural, world of sound).
Tigue - Strange Paradise (groovy minimalist post-rocky vibes)
Steve Roach - Molecules of Motion
moviegoer - A Way Alone (beautiful ambient vibes)
Aqueduct Ensemble - Improvisations on an Apricot
Daniel Bachman - The Morning Star
Brad Mehldau - After Bach
Tim Hecker - Konoyo
Steve Reich - Pulse / Quartet
Clairice Jensen - For This From That Will Be Filled (droney minimalist modern classical work)
Philip Glass: The Hours / Distant Figure
Jazz:
Ambrose Akinmusire - Origami Harvest (a cross section of spoken word, jazz, and modern classical)
Charles Lloyd & the Marvels & Lucinda Williams - Vanished Gardens
John Hollenbeck Large Ensemble
Henry Threadgill & 14 or 15 Kestra: AGG - Dirt & More Dirt
Cecile McLorin Salvant - The Window
Makaya McCaven - Universal Beings
Myra Melford's Snowy Egret - The Other Side of Air
Jason Linder - The Buffering Cocoon
GoGo Pengiun - A Hundrum Star (sort of like D&B being performed by a piano trio)
The Nels Cline 4 - Currents, Constellations
Joshua Redman - Still Dreaming
Andrew Cryille - Lebrobra
Hip-Hop
Pusha-T - Daytona (Some of the best Kanye beats ever)Black Thought - Stream of Thought (Volumes 1 & 2)
(if Black Thoughts freestyle from last year didn't convince you he's still one of the best - these 2 EPs will)
Roc Marciano - RR2: The Bitter Dose
Roc Marciano - Behold a Dark Horse
nonane - room 25
Young Fathers - Cocoa Sugar (alternative hip-hop)
“World”
Sidi Toure - Toublero (Mali)Angelique Kidjo - Remain in Light (an afro-beat reimagining of the Talking Heads album)
Ammar 808 - Maghreb United (Tunisia)
Orquesta Akokan - Orquesta Akokan (musica tropical)
R&B / Funk
Georgia Anne Muldrow - Overload
serpentwithfeet - soil
St. Paul & the Broken Bones - Young Sick Camelia
Vulfpeck - Hill Climber
Wednesday, December 12, 2018
Music I Made in 2018
God Bless America (Single)
I also finished recording a visual album titled "<3" which will be out next year. I released the first single from this album, "Fixing a Clock" over the summer.
I'm currently in the process of recording an EP about swiping apps which will be out early next year as well
Live Videos from 2018:
Monday, December 10, 2018
Ouroboros (Live 2018)
Recorded @:
Webster Court Closing (Newton, MA) - 9/29
Winter Island Park (Salem, MA) - 10/31
The Apohadion Theater (Porltand, ME) - 11/16
Filmed by Adam Blake & Mike Sim
:::⭕:::
Saturday, October 6, 2018
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